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120 Days: Parkteatret, Oslo

120 Days

Parkteatret, Oslo

Møre cowbell!

I 2003 skrev amerikanske John Jeremiah Sullivan, esssayist, journalist og medredaktør i litteraturmagasinet The Paris Review, i et bejublet essay om det avdøde Big Star-medlemmet Chris Bell, om pop som kunstform: «It's an art of crap. And not in a self-concious sense, not like a sculpture made of garbage and shown at the Whitney, which is only a way of saying that «low» materials can be made to serve the demands of «high» art. No, pop music really is crap. It's about transcending through crap. It's about standing there with your stupid guitar, and your stupid words, and your stupid band, and not being stupid.» 


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